Ver el código de «Testamentaría de Antonio Vanegas Arroyo/ENG»

{{DISPLAYTITLE:Antonio Vanegas Arroyo Testamentary Printing House}}

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<div style="text-align:justify"><big>[[File:Eng-spa.png|25px|link={{BASEPAGENAME}}]] After Antonio Vanegas Arroyo died, on 14 March 1917, his son Blas remained in charge of the family legacy, as he had been working with his late father. From then onwards, the prints were published under the name of “Testamentaría de Vanegas Arroyo”. Very soon, Blas’ sons, especially Arsacio, became also involved in the business, almost exclusively publishing religious long sellers (such as the novena for the December festivities) until the middle of the 1950s.</big><br />
{{Tab}}<big>The testamentary production of the Vanegas Arroyo press consisted mainly of reprints of successful items, such as religious prints, songbooks, and plays. They also printed, however, newer material such as songs, corridos, and calaveras mocking contemporary political figures. Also, most probably as a response to the growing competition caused by other presses in the capital (such as Eduardo Guerrero’s), the descendants of Vanegas Arroyo produced “new” serial compilations of old songs in broadsheet format, titled, for instance, “Edición especial de canciones, corridos, coplas, versos y poesías célebres”. Also noteworthy is the serial collection of chapbooks called El folklore nacional, illustrated on the front page with the face of the publisher himself as an expression of the vague attempts by the Vanegas Arroyo family (encouraged by other intellectuals and artists of the post-revolutionary cultural nationalism) to classify the publisher as one of the “folklorists”, that is as a collector of popular culture.</big><br />
{{Tab}}<big>Despite everything, the Vanegas Arroyo printing house was never able to regain the greatness, success, and production level it had had under the management of its founder. This is not only linked to the internal dynamics of the family business, but also with the new modes of production and consumption that changed the popular culture of the 20th century, among which we can cite mass media, like the radio, and later the movie theatre. Prints did not disappear, but were forced to adapt to new technologies. <ref><div style="text-align:justify">Tomás Cornejo, “Fábricas de cultura popular. Consideraciones sobre la circulación de cancioneros impresos desde Santiago de Chile a Ciudad de México (1880-1920)”, ''Trashumante. Revista Americana de Historia Social'', núm. 15, 2020, p.33</div><br /></ref>. In this question, other presses such as the [[Imprenta de Eduardo Guerrero|Eduardo Guerrero press]] seem to have had more success than the Vanegas Arroyo house.</big></div>
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=== The Print Catalogue ===
<div style="text-align:justify"><big>The list presented here features material that has been published and can be attributed to the Vanegas Arroyo Testamentary or to one of its collaborators specifically, either BlasVanegas, Antonio Jr, or Arsacio. Due to the recurring re-printing activity of the period, it must be taken into account that even where Antonio Vanegas is mentioned as publisher, it could simply be a reprint from after 1917. </big></div>
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{{#ask:[[Es repositorio de impresos::CORREGIDO]]
[[Es editor::~*Vanegas A*]]
[[Es editor::!~*Antonio*]]
[[Es editor::!~*A. V*]]
OR
[[Es repositorio de impresos::CORREGIDO]]
[[Es sujeto de atribución editorial::~*Vanegas*]]
[[Es sujeto de atribución editorial::!~*A. V*]]
[[Es sujeto de atribución editorial::!~*Antonio V*]]
OR
[[Es repositorio de impresos::CORREGIDO]]
[[Es sujeto de atribución editorial::~*Jr*]]
OR
[[Es repositorio de impresos::CORREGIDO]]
[[Es sujeto de atribución editorial::~*Testamentaría*]]
OR
[[Es repositorio de impresos::CORREGIDO]]
[[Es sujeto de atribución editorial::~*Arsacio V*]]
|?Es ficha bibliográfica de impreso=LINK
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=== <small>References</small> ===
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